Las óleos de todo GIOTTO di Bondone
Choice ID Image  Painting (From A to Z)       Details 
62994 . Wedding Procession  . Wedding Procession   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Mary walks in front of her companions and is led to the house other parents, where she is received by musicians. This group alone lends a cheery air to the sombre procession. The bay window of the house, from which a palm leaf juts out as an allusion to the imminent birth of the Lord, appears again in the representation of the Annunciation. In this way Giotto incorporates the Bridal Procession of the Virgin into the sequence of the narrative. The fresco was damaged by the humidity. Artist: GIOTTO di Bondone Painting Title: No. 12 Scenes from the Life of the Virgin: 6. Wedding Procession , 1301-1350 Painting Style: Italian , , religious
52369 Allegory of Chastity  Allegory of Chastity   c. 1330 Fresco Lower Church
62982 Allegory of Chastity  Allegory of Chastity   1330 Fresco Lower Church, San Francesco, Assisi Extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity (detail) , 1301-1350 Painting Style: Italian , , religious
44382 Allegory of Obedience  Allegory of Obedience   c. 1330
52359 Allegory of Poverty  Allegory of Poverty   c. 1330 Fresco Lower Church
33310 Anna and Joachim Meet at the Golden Gate  Anna and Joachim Meet at the Golden Gate   mk86 1303-1305 Fresco, c.185x200cm Padua,Arena Chapel
21150 Anna and Joachim Meet at the Golden Gate (mk08)  Anna and Joachim Meet at the Golden Gate (mk08)   1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
44364 Annunciation to St Anne  Annunciation to St Anne   200 x 185 cm
52385 Annunciation to Zacharias  Annunciation to Zacharias   1320 Fresco, 280 x 450 cm
44356 Apparition at Arles  Apparition at Arles   1297-1300 270 x 230 cm
52392 Apparition at Arles  Apparition at Arles   1325 Fresco, 280 x 450 cm
44358 Apparition to Fra Agostino and to Bishop Guido of Arezzo  Apparition to Fra Agostino and to Bishop Guido of Arezzo   1300 270 x 230 cm
52366 Ascension of Christ  Ascension of Christ   c. 1300 Fresco Upper Church
52389 Ascension of the Evangelist  Ascension of the Evangelist   1320 Fresco, 280 x 450 cm
57224 Assisi Saint - Francois accept the stigma  Assisi Saint - Francois accept the stigma   mk255 about for years in 1295-1300 plastic painting dyes, gold background, Yang wooden 3.13 meters high 1.63 meters wide Louvre
62987 Baptism of Christ  Baptism of Christ   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In spite of the high quality details of this scene, the irrational representation of the water in which Christ stands indicates that Giotto was still influenced by medieval iconographic conventions. Artist: GIOTTO di Bondone Painting Title: No. 23 Scenes from the Life of Christ: 7. Baptism of Christ , 1301-1350 Painting Style: Italian , , religious
44308 Baroncelli Polyptych  Baroncelli Polyptych   c. 1334 Tempera on wood, 185 x 323 cm
62956 Baroncelli Polyptych  Baroncelli Polyptych   1334 Tempera on wood Baroncelli Chapel, Santa Croce, Florence Mary bows her head reverently in order to receive the celestial crown from the hands of her Son. Mother and Son form a whole through their gestures, but mainly through their garments: both are clothed in radiant bright white and pink worked through with gold. The elegance of their clothing, in particular the trumpet-shaped sleeves on Christ's robe, indicates a great affinity with the style of courtly Gothic. Artist: GIOTTO di Bondone Painting Title: Baroncelli Polyptych (detail) , 1301-1350 Painting Style: Italian , , religious
44329 Birth and Naming of the Baptist  Birth and Naming of the Baptist   280 x 450 cm
48620 Birth of Christ  Birth of Christ   mk191 1302-1305 Oil on canvas
62983 Birth of Jesus  Birth of Jesus   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The simple shelter under which the Virgin and her Child seek refuge is situated in the middle of a bleak rocky landscape. Mary turns on her side on the bed in order to receive the new-born baby from the arms of a midwife ?a natural and spontaneous gesture, which is captured by the way mother and child look at one another. Although on the periphery, this exchange of glances seems to be the actual centre of the portrayal, which is expanded to include the scene of the Annunciation to the shepherds. Artist: GIOTTO di Bondone Painting Title: No. 17 Scenes from the Life of Christ: 1. Nativity: Birth of Jesus , 1301-1350 Painting Style: Italian , , religious
44361 Canonization of St Francis  Canonization of St Francis   270 x 230 cm
44342 Christ among the Doctors  Christ among the Doctors   200 x 185 cm
44374 Christ Among the Doctors  Christ Among the Doctors   1310
62986 Christ among the Doctors  Christ among the Doctors   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In a rich red robe, the little twelve-year-old Jesus sits in the temple and holds a discussion - as his gesture quite clearly indicates. The arches of the architecture seem to echo the young boy's speech and at the same time to concentrate events on him. The scribes listen closely and in doing so show quite different reactions. Only one of them is completely distracted by the appearance of the worried parents. Artist: GIOTTO di Bondone Painting Title: No. 22 Scenes from the Life of Christ: 6. Christ among the Doctors , 1301-1350 Painting Style: Italian , , religious
52387 Christ before Caiaphas  Christ before Caiaphas   1304-06 Fresco, 200 x 185 cm
52396 Christ Enthroned  Christ Enthroned   c. 1330 Tempera on panel
44348 Confirmation of the Rule  Confirmation of the Rule   270 x 230 cm
21955 Coretto (mk14)  Coretto (mk14)   1305 Fresco Cappella degli Scrovegni,Padua
62963 Creation of Adam  Creation of Adam   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing the Creation of Adam is at the left side of the Raising of Lazarus. Artist: GIOTTO di Bondone Painting Title: Creation of Adam (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
33298 Crucifixion  Crucifixion   mk86 1303-1305 Fresco Padua Arena Chapel
21138 Crucifixion (mk08)  Crucifixion (mk08)   1303-1305 Fresco.Padua, Arena Chapel
62955 Daedalus after  Daedalus after   1334 Marble Museo dell'Opera del Duomo, Florence In Greek mythology Daedalus stands as a creative worker at the beginning of all art: Daedalus, the inventor of the labyrinth and of flying, is supposed to have been the first successfully to create a sculpture with arms akimbo and parted legs. Since he is thus supposed to have given life to figures for the first time, he is considered as the very first artist. The design of this relief, though not its execution, derives from Giotto. It shows Daedalus in a striding posture on top of a cupola that acts as a launching pad. All of his energy seems directed towards lifting his heavy, feather-covered body into the air. This concentration of energy corresponds to the energy of Giotto's painted figures. With one exception, this is the only portrayal of Daedalus to exist between the era of ancient Rome and the age of the Renaissance. Artist: GIOTTO di Bondone Painting Title: Daedalus , 1301-1350 Painting Style: Italian , , religious
44357 Death and Ascension of St Francis  Death and Ascension of St Francis   270 x 230 cm
52393 Death and Ascension of St Francis  Death and Ascension of St Francis   c. 1325 Fresco, 280 x 450 cm
52383 Decorative band with figure  Decorative band with figure   1304-06 Fresco Cappella Scrovegni
62969 Decorative band with figure  Decorative band with figure   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of Joachim among the Shepherds. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350 School
62971 Decorative band with figure  Decorative band with figure   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The band is at the left side of the Marriage of the Virgin. Artist: GIOTTO di Bondone Painting Title: Decorative band with figure , 1301-1350
52381 Decorative band with figures  Decorative band with figures   1304-06 Fresco Cappella Scrovegni
52382 Decorative band with figures  Decorative band with figures   1304-06 Fresco Cappella Scrovegni
62976 Decorative bands  Decorative bands   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 11. Expulsion of the Money-changers from the Temple and 20. Mourning of Christ. Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious
62977 Decorative bands  Decorative bands   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The decorative bands on the walls above contain several scenes from the Old Testament and busts of saints and prophets. The Old Testament scenes are of a very modest standard, and owe their presence in the chapel to the Gothic tradition of representing parallels between the Old and New Testament. Some of the figures of saints and prophets are of very high workmanship, and among the most impressive of Giotto's repertoire. The two scenes on this wall detail are from the life of Christ: 8. Marriage at Cana and 23. Pentecost. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Decorative bands , 1301-1350 Painting Style: Italian , , religious
44315 Descent into Limbo  Descent into Limbo   1320-25 Tempera on wood, 45 x 44 cm
48623 Detail of Birth of Christ  Detail of Birth of Christ   mk191 Oil on canvas
48624 Detail of Birth of Christ  Detail of Birth of Christ   mk191 the face of the Virgin Mary
52371 Dream of Innocent III  Dream of Innocent III   1297-99 Fresco, 270 x 230 cm
44362 Dream of St Gregory  Dream of St Gregory   270 x 230 cm
44345 Dream of the Palace  Dream of the Palace   270 x 230 cm
44351 Ecstasy of St Francis  Ecstasy of St Francis   270 x 230 cm
62989 Ecstasy of St Francis  Ecstasy of St Francis   1297-1300 Fresco, 270 x 230 cm Upper Church, San Francesco, Assisi This is the twelfth of the twenty-eight scenes (twenty-five of which were painted by Giotto) of Legend of Saint Francis. The five scenes from The Vision of the Flaming Chariot to St Francis in Ecstasy (No. 8-12) are characterized by inferior workmanship, especially in the figures. This scene was executed partly by assistants. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 12. Ecstasy of St Francis , 1301-1350 Painting Style: Italian , , religious
62967 Elijah on the Fire-cart  Elijah on the Fire-cart   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Elijah on the fire-cart is at the left side of the Ascension. Artist: GIOTTO di Bondone Painting Title: Elijah on the Fire-cart (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
33308 Enthroned Madonna with Saints  Enthroned Madonna with Saints   mk86 c.1305-1310 Tempera on wood 325x204cm Florence,Galleria degli Uffizi
21148 Enthroned Madonna with Saints (mk08)  Enthroned Madonna with Saints (mk08)   c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi
52386 Entry into Jerusalem  Entry into Jerusalem   1304-06 Fresco, 200 x 185 cm
44350 Exorcism of the Demons at Arezzo  Exorcism of the Demons at Arezzo   270 x 230 cm
44331 Expulsion of the Money-changers from the Temple  Expulsion of the Money-changers from the Temple   1304-06
44330 Feast of Herod  Feast of Herod   280 x 450 cm
40128 Flight into Egypt  Flight into Egypt   mk156 200x185cm 1303-05
62984 Flight into Egypt  Flight into Egypt   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua On a narrow rocky path, the procession seems to move past the viewer. Equipped with everyday objects, everyone is in motion, looking at one another and talking to one another - only the Virgin Mary sits still and unmoving. The statuesque nature other upright position is further reinforced by the rock behind. Although the child is as natural as can be, the central figures in the picture thus stand out from their surroundings and have a sublime effect. Artist: GIOTTO di Bondone Painting Title: No. 20 Scenes from the Life of Christ: 4. Flight into Egypt , 1301-1350 Painting Style: Italian , , religious
19968 Francis Receiving the Stigmata (mk05)  Francis Receiving the Stigmata (mk05)   Wood 123 1/4 x 64 1/4''(313 x 163 cm).From the Church of San Francesco in Pisa entered the Louvre in 1814 INV
62981 Franciscan  Franciscan   1330 Fresco Lower Church, San Francesco, Assisi In a well-fortified castle, Chastity rules: only angels can enter here. In order to reach her, a long path must be followed. The representatives of the three divisions of the Franciscan order (a lay brother, a Franciscan and aClare) have climbed the hill. They too, as the middle scene shows, will be washed and dressed by angels. On the other side the extremely vivid and bizarre figures of demons are being cast into the abyss. They are Unchasteness (Immunditia) with the boar's head, Burning Desire (Ardor) with the flaming head, and Love (Amor) with the clawed feet and the hearts tied around him. The round is completed by the spider-legged, devilish Death (Mors). Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: Allegory of Chastity , 1301-1350 Painting Style: Italian , , religious
52367 Frescoes in the fourth bay of the nave  Frescoes in the fourth bay of the nave   1290s Fresco Upper Church
44339 Frescoes in the second bay of the nave  Frescoes in the second bay of the nave   Oil on canvas
44310 GIOTTO  GIOTTO   1320-25 Tempera on wood, 81 x 55 cm
44370 God Sends Gabriel to the Virgin  God Sends Gabriel to the Virgin   1306 230 x 690 cm
44343 Homage of a Simple Man  Homage of a Simple Man   270 x 230 cm
44352 Institution of the Crib at Greccio  Institution of the Crib at Greccio   270 x 230 cm
56590 jesus infor oversteprasten kajafas  jesus infor oversteprasten kajafas   mk248 sodra vaggen, arenakapellet, padua giotto foruandlar taket med bjalkarna i kajafas sal till ett kistlock, det finns ingen mojligbet att fly. det finns sa mycket rorelse i bilden att det tar ett tag innan man ser fesus sorgsna blick mot den balvt dolde petrus, som just fornekat att ban var en av bans larjungar.
44363 Joachim among the Shepherds  Joachim among the Shepherds   1304-06 200 x 185 cm
62991 Joachim among the Shepherds  Joachim among the Shepherds   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua Sad and introverted, Joachim arrives among the shepherds. Using the contrast between the lively sheep, the dog that greets him, and the knowing glances of the shepherds, Giotto elucidates his state of mind in the voluminous, closed form of the saint. Artist: GIOTTO di Bondone Painting Title: No. 2 Scenes from the Life of Joachim: 2. Joachim among the Shepherds , 1301-1350 Painting Style: Italian , , religious
33309 Joachim Takes Refuge in the Wilderness  Joachim Takes Refuge in the Wilderness   mk86 c.1303-1305 Fresco. c.185x200cm Padua,Arena Chapel
21149 Joachim Takes Refuge in the Wilderness (mk08)  Joachim Takes Refuge in the Wilderness (mk08)   C.1303-1305 Fresco.c.185x200cm Padua, Arena Chapel
62992 Joachim's Sacrificial Offering  Joachim's Sacrificial Offering   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua In the open countryside, Joachim has sunk to the ground and catches sight of an angel, who indicates to him that his sacrifice has been accepted. Colour is used to establish a connection between these two figures, illustrating the miraculous nature of events. As so often, Giotto also employs a figure here who comments on the action ?the praying shepherd. In his colorings, he is closer to the rocks and the animals. He too recognizes the hand of benediction in the sky. Artist: GIOTTO di Bondone Painting Title: No. 4 Scenes from the Life of Joachim: 4. Joachim's Sacrificial Offering , 1301-1350 Painting Style: Italian , , religious
44365 Joachim-s Dream  Joachim-s Dream   200 x 185 cm
52375 Joachim-s Sacrificial Offering  Joachim-s Sacrificial Offering   1304-06 Fresco, 200 x 185 cm
34384 Joachims Traum  Joachims Traum   mk92 1304-1306 Padua,Arenakapelle
62961 Jonah Swallowed up by the Whale  Jonah Swallowed up by the Whale   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Jonah swallowed up by the whale is at the left side of the Lamentation. Artist: GIOTTO di Bondone Painting Title: Jonah Swallowed up by the Whale (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
44332 Judas-Betrayal  Judas-Betrayal   150 x 140 cm
30389 Lamentation over the Dead Christ  Lamentation over the Dead Christ   mk68 Fresco Padua Arena Chapel c.1306 Italy
30947 Lamentation over the Dead CHrist  Lamentation over the Dead CHrist   mk68 c.1306
56591 lasarus ateruppstar fran de doda  lasarus ateruppstar fran de doda   mk248 norra vaggen, arenakapellet, padua lasarus,bror till marta ocb maria, bar varit dod i fyra dagar. hans systrar bar blokt nog tackt over ocb munnar nar graven oppnas ocb fesus mirakulost nog ateruppva cker bonom till livet. giotto bar placerat fesus ocb lasarus sa att de aterspeglar varandra ocb budskapet ar att fesus inom kort ocksa ska do ocb ateruppsta fran de doda.
30388 Last Judgement  Last Judgement   mk68 Fresco Padua Arena Chapel c.1306 Italy
62962 Last Judgement  Last Judgement   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The detail shows Christ the judge is enclosed within a mandorla, surrounded by angels. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Last Judgement (detail) , 1301-1350 Painting Style: Italian , , religious
44327 Last Judgment  Last Judgment   1000 x 840 cm
52380 Last Judgment  Last Judgment   1306 Fresco, 1000 x 840 cm
62959 Last Judgment  Last Judgment   1306 Fresco, 1000 x 840 cm Cappella Scrovegni (Arena Chapel), Padua This extensive depiction of the Last Judgment in the west of the church is dominated by the large Christ in Majesty at its centre. The twelve apostles sit to His left and to His right. Here the two levels divide: the heavenly host appears above, people plunge into the maw of hell below, or are led by angels towards heaven. The way this large fresco is divided into registers is traditional. But if we look at Giotto's invention in detail, then his novel attempts at visualizing different spheres, as well as abstract beliefs, become particularly apparent. In the center of the representation, Christ is enthroned as supreme Judge in a rainbow-colored mandorla. The deep, radiant gold background, the style of painting, and the delicate substance give the impression that the heavens have opened in order to reveal the powerful, extremely solidly modelled figure of Christ. Different levels are likewise alluded to when the choirs of angels disappear behind the real window, or when the celestial watch in the upper area of the picture rolls back the firmament, behind which the golden-red doors of the heavenly Jerusalem shine forth. The black and red maw of hell, which seems to anticipate Dante's "Inferno", is different again in its impact. The way in which Giotto establishes a connection between the present-day world of the faithful and the world beyond all time, the world of the Last Judgment, contains another interesting detail. The donor Scrovegni, still alive at the time, kneels next to those being resurrected and offers "his" church to the three Marys, assisted by a priest. The latter is portrayed in a most lively manner: his robes hang - painted quite illusionistically - over the arch of the portal. Artist: GIOTTO di Bondone Painting Title: Last Judgment , 1301-1350 Painting Style: Italian , , religious
62964 Last Judgment  Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua This detail represents angels located below the Apostles on the left side of the fresco. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , painting
62965 Last Judgment  Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The Blessed, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
62966 Last Judgment  Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The ground has opened up and the naked people clamber out of their coffins. Some are still completely occupied with themselves or are helping one another; others have already raised their hands in prayer. They appear as full of hope as the ranks of the Blessed above them. There, men and women, representatives of the secular and the sacred, are accompanied on their ascent by angels. The differently formed, thoroughly individual heads seen in profile, the gazes, the posture of the hands and the whole bodies are focused as if spellbound on the higher goal. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
62968 Last Judgment  Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
62970 Last Judgment  Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
62972 Last Judgment  Last Judgment   1306 Fresco Cappella Scrovegni (Arena Chapel), Padua The Prince of Hell, a giant monster, is enthroned on a dragon. He grabs the damned and eats them. Artist: GIOTTO di Bondone Painting Title: Last Judgment (detail) , 1301-1350 Painting Style: Italian , , religious
40127 Legend of St Francis St Francis Preaching before Pope Honorius Ill  Legend of St Francis St Francis Preaching before Pope Honorius Ill   mk156 1296-1297 Fresco
62980 Legend of St Francis: Scenes Nos  Legend of St Francis: Scenes Nos   4-6 1297-99 Fresco Upper Church, San Francesco, Assisi The walls of the nave are divided up by an illusionistic framework. The width of each bay is taken up by three scenes, more or less square in shape. The scenes from the life of St Francis are represented in triplets. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: Scenes Nos. 4-6 , 1301-1350 Painting Style: Italian , , religious
62957 Madonna and Child  Madonna and Child   1297 Tempera on wood Private collection This panel was painted for a chapel in the church Santa Maria sopra Minerva in Rome. Artist: GIOTTO di Bondone Painting Title: Madonna and Child , 1301-1350 Painting Style: Italian , , religious
33243 Madonna in Maesta  Madonna in Maesta   mk83 c.1310
30392 Madonna in Majesty  Madonna in Majesty   mk68 Tempera on wood Florence,Uffizi Early Italian.
52370 Marriage at Cana  Marriage at Cana   1304-06 Fresco, 200 x 185 cm
62988 Marriage at Cana  Marriage at Cana   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The comic characterization of the guests and servants is noteworthy in this scene. Artist: GIOTTO di Bondone Painting Title: No. 24 Scenes from the Life of Christ: 8. Marriage at Cana , 1301-1350 Painting Style: Italian , , religious
52376 Marriage of the Virgin  Marriage of the Virgin   1304-06 Fresco, 200 x 185 cm
52398 Martyrdom of Peter  Martyrdom of Peter   c. 1330 Tempera on panel
52401 Mary Magdalene and Cardinal Pontano  Mary Magdalene and Cardinal Pontano   1320s Fresco Magdalene Chapel
44372 Mary Magdalene-s Voyage to Marseilles  Mary Magdalene-s Voyage to Marseilles   1320s
62985 Massacre of the Innocents  Massacre of the Innocents   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua A great number of slaughtered children lie on the ground. A soldier stands over the corpses and, at the command of King Herod (who appears in the painting himself), snatches a baby boy from his mother. The women scream, weep and try to protect their children. The men on the other side turn away, crushed and ashamed. Artist: GIOTTO di Bondone Painting Title: No. 21 Scenes from the Life of Christ: 5. Massacre of the Innocents , 1301-1350 Painting Style: Italian , , religious
40129 Meeting at the Golden Gate  Meeting at the Golden Gate   mk156 1303-05 Fresco Cappella Scrovegni
44366 Meeting at the Golden Gate  Meeting at the Golden Gate   1304-06 200 x 185 cm
44346 Miracle of the Crucifix  Miracle of the Crucifix   270 x 230 cm
44353 Miracle of the Spring  Miracle of the Spring   1297-1300 270 x 200 cm
62960 Moses Brings Forth Water out of the Rock  Moses Brings Forth Water out of the Rock   1304-06 Fresco Cappella Scrovegni (Arena Chapel), Padua The medallion showing Moses brings forth water out of the rock is at the left side of the Marriage at Cana. Artist: GIOTTO di Bondone Painting Title: Moses Brings Forth Water out of the Rock (on the decorative band) , 1301-1350 Painting Style: Italian , , religious
41262 Nativity,Adoration of the Shepherds and the Magi  Nativity,Adoration of the Shepherds and the Magi   mk161 Tempera on wood Gold ground
6904 Navicella ssh  Navicella ssh   1305-13 Pen on paper, 274 x 388 mm Metropolitan Museum of Art, New York
6903 Navicella xh  Navicella xh   1305-13 Oil on canvas, 740 x 990 cm Fabbrica di San Pietro, Rome
52377 No. 13 God Sends Gabriel to the Virgin  No. 13 God Sends Gabriel to the Virgin   1306 Fresco, 230 x 690 cm
40133 Ognissanti Madonna  Ognissanti Madonna   mk156 1305-10 Tempera on panel 325x204cm Galleria degli Uffizi,Florence
44316 Pentecost  Pentecost   1320-25 Egg tempera on poplar, 46 x 44 cm
44325 Presentation in the Temple  Presentation in the Temple   1320-25 Tempera on wood, 44 x 43
44341 Presentation of Christ at the Temple  Presentation of Christ at the Temple   1304-06
62996 Presentation of Christ in the Temple  Presentation of Christ in the Temple   1310s Fresco North transept, Lower Church, San Francesco, Assisi Artist: GIOTTO di Bondone Painting Title: Presentation of Christ in the Temple , 1301-1350 Painting Style: Italian , , religious
40130 Presentation of the Virgin in the Temple  Presentation of the Virgin in the Temple   mk156 1303-05 Fresco Cappella degli Scrovegni Dell- Arena Padua
44376 Raising of the Boy in Sessa  Raising of the Boy in Sessa   1310
44347 Renunciation of Wordly Goods  Renunciation of Wordly Goods   270 x 230 cm
52391 Renunciation of Wordly Goods  Renunciation of Wordly Goods   1325 Fresco, 280 x 450 cm
44373 Return of Christ to Jerusalem  Return of Christ to Jerusalem   1310
44335 Road to Calvary  Road to Calvary   200 x 185 cm
52388 Road to Calvary  Road to Calvary   1304-06 Fresco, 200 x 185 cm
44371 Saint Francis and Saint Clare  Saint Francis and Saint Clare   1279-1300
44309 Saint Stephen  Saint Stephen   1320-25 Tempera on wood, 84 x 54 cm
62974 Scenes from the Life of  Scenes from the Life of   1304-06 Fresco, width of detail 62 cm Cappella Scrovegni (Arena Chapel), Padua Artist: GIOTTO di Bondone Painting Title: Scenes from the Life of Christ: 20. Lamentation (detail) , 1301-1350 Painting Style: Italian , , religious
44328 Scenes from the Life of St John the Baptist  Scenes from the Life of St John the Baptist   280 x 450 cm
62975 Scenes from the Life of St John the Evangelist  Scenes from the Life of St John the Evangelist   St John on Patmos (detail) 1320 Fresco, width of detail 89 cm Peruzzi Chapel, Santa Croce, Florence Artist: GIOTTO di Bondone Painting Title: Scenes from the Life of St John the Evangelist: 1. St John on Patmos (detail) , 1301-1350 Painting Style: Italian , , religious
62979 Scenes from the New Testament: Lamentation  Scenes from the New Testament: Lamentation   1290s Fresco, 300 x 300 cm Upper Church, San Francesco, Assisi The fragmentary New Testament scenes on the wall of the Upper Church include Christ among the Doctors, the Baptism of Christ, the Lamentation and the Resurrection. *** Keywords: ************* Artist: GIOTTO di Bondone Painting Title: Scenes from the New Testament: Lamentation , 1301-1350 Painting Style: Italian , , religious
52368 Scenes Nos  Scenes Nos   4-6 1297-99
44354 Sermon to the Birds  Sermon to the Birds   270 x 200 cm
52394 St Francis before the Sultan  St Francis before the Sultan   1325 Fresco, 280 x 450 cm
33312 St Francis Giving his Cloak to a Poor Man  St Francis Giving his Cloak to a Poor Man   mk86 between 1296 and 1299 Fresco 270x230cm
21152 St Francis Giving his Cloak to a Poor Man (mk08)  St Francis Giving his Cloak to a Poor Man (mk08)   Fresco. 270x230cm Assisi, San Francesco. Upper Church
44344 St Francis Giving his Mantle to a Poor Man  St Francis Giving his Mantle to a Poor Man   270 x 230 cm
52356 St Francis in Glory  St Francis in Glory   c. 1330 Fresco Lower Church
62998 St Francis in Glory  St Francis in Glory   1330 Fresco Lower Church, San Francesco, Assisi St Francis is enthroned in the centre of the triangular surface and drawn towards heaven by angels. His figure and in particular his face seem to belong to another world. The golden rays that emanate from him heighten the effect of the gold-embroidered dalmatic. Artist: GIOTTO di Bondone Painting Title: Franciscan Allegories: St Francis in Glory (detail) , 1301-1350 Painting Style: Italian , , religious
44355 St Francis Preaching before Honorius III  St Francis Preaching before Honorius III   1297-1300 270 x 230 cm
62990 St Francis Preaching before Honorius III  St Francis Preaching before Honorius III   1297-1300 Fresco Upper Church, San Francesco, Assisi Worthy of notice is the rich Cosmati work on the Pope's foot stool, whose bright colours recall the vault of the Doctors. Artist: GIOTTO di Bondone Painting Title: Legend of St Francis: 17. St Francis Preaching before Honorius III (detail) , 1301-1350 Painting Style: Italian , , religious
44336 St John on Patmos  St John on Patmos   280 x 450 cm
52397 St John the Evangelist  St John the Evangelist   1320-25 Tempera on wood, 81 x 55 cm
44319 St Lawrence  St Lawrence   1320-25 Tempera on wood, 81 x 55 cm
44338 St Paul  St Paul   Oil on canvas
62978 St Paul  St Paul   1290s Fresco Upper Church, San Francesco, Assisi This roundel is located on the inside wall of the fa?ade above the Ascension of Christ. Artist: GIOTTO di Bondone Painting Title: St Paul , 1301-1350 Painting Style: Italian , , religious
44340 St Peter  St Peter   Oil on canvas
52400 St Peter Enthroned  St Peter Enthroned   c. 1330 Tempera on panel
44360 St. Francis Mourned by St. Clare  St. Francis Mourned by St. Clare   270 x 230 cm
52390 Stigmatisation of Saint Francis  Stigmatisation of Saint Francis   1325 Fresco, 390 x 370 cm
44312 Stigmatization of St Francis  Stigmatization of St Francis   1300 Tempera on wood, 314 x 162 cm
52373 Stigmatization of St Francis  Stigmatization of St Francis   1297-1300 Fresco, 270 x 230 cm
52378 The Angel Gabriel Sent by God  The Angel Gabriel Sent by God   1306 Fresco, 150 x 195 cm
44334 The Arrest of Christ  The Arrest of Christ   200 x 185 cm
62993 The Birth of the Virgin  The Birth of the Virgin   1304-06 Fresco, 200 x 185 cm Cappella Scrovegni (Arena Chapel), Padua The six scenes on the wall opposite to the scenes from the life of Joachim show the Birth of the Virgin, the Presentation of the Virgin in the Temple, and the four episodes pertaining to her marriage: the Rods brought to the Temple, the Prayer of the Suitors, the Marriage of the Virgin and the Wedding Procession. The birth of the Virgin takes place in the same house as the annunciation to Anne. In the small room, somewhat too narrow for the figures, Anne sits up in bed and is handed the baby in its swaddling clothes by a nursemaid. The child appears for a second time in the idyllic scene in front of the mothers bed. As in the Annunciation scene, Giotto also shows the view of the building from outside. He does not divide interior and exterior, but connects them using the two women. Artist: GIOTTO di Bondone Painting Title: No. 7 Scenes from the Life of the Virgin: 1. The Birth of the Virgin , 1301-1350 Painting Style: Italian , , religious
42508 The birth, with the giornate indicated  The birth, with the giornate indicated   mk169 ca.1304-13 v. Chr. Fresco 231x202cm Scrovegnikapel, Padua
44367 The Bringing of the Rods to the Temple  The Bringing of the Rods to the Temple   1304-06 200x 185 cm
6899 The Chapel viewed from the entrance dfg  The Chapel viewed from the entrance dfg   1303-06 Cappella Scrovegni (Arena Chapel), Padua
6900 The Chapel viewed towards the entrance sdg  The Chapel viewed towards the entrance sdg   1303-06 Cappella Scrovegni (Arena Chapel), Padua
52357 The Death of the Boy in Sessa  The Death of the Boy in Sessa   1310s Fresco North transept
40126 The Demons are Cast out of Arezzo  The Demons are Cast out of Arezzo   mk156 1296-1297 Fresco Upper Church of San Francesco
33297 The Devils Cast our of Arezzo  The Devils Cast our of Arezzo   mk86 c.1296-1297 Fresco Assisi San Francesco Upper Church
21137 The Devils Cast out of Arezzo (mk08)  The Devils Cast out of Arezzo (mk08)   c.1296-1297 Freso,Assisi, San Franceso. Upper Church
44311 The Epiphany  The Epiphany   1320-25 Tempera on wood, gold ground, 45,1 x 43,8 cm
52374 The Hermit Zosimus Giving a Cloak to Magdalene  The Hermit Zosimus Giving a Cloak to Magdalene   1320s Fresco Magdalene Chapel
23303 The Lamentation (nn03)  The Lamentation (nn03)   c 1305 Fresco 200 x 185 cm 78 3/4 x 72 7/8 in Cappella dei Scrovegni,Padua
33311 The Lamentation of Christ  The Lamentation of Christ   mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel
21151 The Lamentation of Christ (mk08)  The Lamentation of Christ (mk08)   1303-1305 Fresco.c.185x200cm Padua,Arena Chapel
33299 The Marriage Procession of the Virgin  The Marriage Procession of the Virgin   mk86 1303-1305 Fresco
21139 The Marriage Procession of the Virgin (mk08)  The Marriage Procession of the Virgin (mk08)   1303-1305 Fresco.Padua,Arena Chapel
62973 The Seven Vices  The Seven Vices   1306 Fresco, 120 x 60 cm Cappella Scrovegni (Arena Chapel), Padua Despair {Desperatio) appears as a female suicide - a demon has taken hold other soul. Giotto here uses the painted marble niche in a most impressive fashion in order to display narrative details, such as the way the beam and the rope are fastened. Artist: GIOTTO di Bondone Painting Title: No. 47 The Seven Vices: Desperation , 1301-1350 Painting Style: Italian , , religious
52399 The Stefaneschi Triptych  The Stefaneschi Triptych   c. 1330 Tempera on panel, 220 x 245 cm
44320 The Stefaneschi Triptych Martyrdom of St Paul  The Stefaneschi Triptych Martyrdom of St Paul   c. 1330 Tempera on panel
62954 The Stefaneschi Triptych: St Peter Enthroned  The Stefaneschi Triptych: St Peter Enthroned   1330 Tempera on panel Pinacoteca, Vatican The picture shows the middle panel on the side showing St Peter. Peter sits, surrounded by angels and saints, on a simply constructed throne inlaid with Cosmati work. His right hand is raised in blessing, and in the other he holds the keys of his office. Before him, kneeling on the luxurious marble floor, laid out in perspective, are the hermit-saint Peter of Morrone to his right, and the donor Cardinal Stefaneschi, offering him the altar, to his left. Artist: GIOTTO di Bondone Painting Title: The Stefaneschi Triptych: St Peter Enthroned , 1301-1350 Painting Style: Italian , , religious
44368 The Suitors Praying  The Suitors Praying   1304-06 200 x 185 cm
52379 The Virgin Receiving the Message  The Virgin Receiving the Message   1306 Fresco, 150 x 195 cm
38431 Throning God mother with the child  Throning God mother with the child   mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence
6905 Tondo with Angel sh  Tondo with Angel sh   c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome
6901 Vault fgt  Vault fgt   1303-06 Fresco Cappella Scrovegni (Arena Chapel), Padua
44359 Verification of the Stigmata  Verification of the Stigmata   270 x 230 cm
44337 View of a chapel  View of a chapel   1304-06 150 x 140 cm
6898 View of the Church of San Francesco dfg  View of the Church of San Francesco dfg   established in 1228 Convent of San Francesco, Assisi
52364 View of the Church of San Francesco established in 1228  View of the Church of San Francesco established in 1228   Convent of San Francesco, Assisi San Francesco at Assisi consists of two superimposed churches
52365 View of the interior  View of the interior   Upper Church, San Francesco,
6902 View of the Peruzzi and Bardi Chapels fh  View of the Peruzzi and Bardi Chapels fh   Santa Croce, Florence
52402 Vision of the Ascension of St Francis  Vision of the Ascension of St Francis   1325 Fresco, 280 x 450 cm
52372 Vision of the Flaming Chariot  Vision of the Flaming Chariot   1297-99 Fresco, 270 x 230 cm
44349 Vision of the Thrones  Vision of the Thrones   270 x 230 cm
44333 Washing of Feet  Washing of Feet   200 x 185 cm
44369 Wedding Procession  Wedding Procession   200 x 185 cm
52384 Wrath  Wrath   1306 Fresco, 120 x 55 cm
GIOTTO di Bondone
Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.



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